RAHELEH FILSOOFI
Born in Iran, lives in the United States, and works in between
My artistic practice is rooted in a rich Middle Eastern history of scholars and explorers such as Ibn Battuta, and Saadi Shiraz. These sojourners traveled and shared the depth of their experiences and observations, noting similarities and differences of each new unknown and unfamiliar area. Their exploration and subsequent narratives enriched their own cultures and fostered the development of critical ideas about identity, humanity, and communality. Such movability has influenced my studio practice philosophy. In the midst of the world’s political stagnation and extremism associated with immigration policy, border and land disputes I am driven to produce work which challenges current perspectives about politics, society, nature and culture.
Clay, sound and my body are the nexus from which most of my ideas emanate. They are cryptic, architectural, and the space where the holistic sensory experiences engender new and critical narratives and a world could be imagined where the divisions between places and cultures collapse, then coalesce, to invite to a journey beyond their territorial borders.
Coming Soon - The Embodied Earth (clay, performance, and video)
Investigating the interplay between space and bodies through soil and movement. Participating artists: Phylicia Roybal and Reza Filsoofi - Photos by Amir Aghareb
Investigating the interplay between space and bodies through soil and movement. Participating artists: Phylicia Roybal and Reza Filsoofi - Photos by Amir Aghareb
Coming Soon - The Meeting Place (multi-channel video installation)
Coming Soon - The Resonance of the Lands (ceramic drums, textile, performance )
Clay, Music and Community - a collaboration between artists, musicians and community members in celebration of immigrant and refugee members of Nashville. Photo by Amir Aghareb
Immigrant musicians of Nashville. Photo by Amir Aghareb
Community Clay Workshop - In collaboration with Nashville International Center for Empowerment (NICE) Photo by Navid Mokhtari
Clay, Music and Community - a collaboration between artists, musicians and community members in celebration of immigrant and refugee members of Nashville. Photo by Amir Aghareb
NEWS
Recent Interview
Joan Mitchell Journal
Imagined Boundaries: Through the Eyes of the Past and Present is an ongoing episodic project that explores the existing boundaries in our world, both local and global. This project serves as a bridge that spans epochs, connecting past masterpieces with contemporary vision. This connection enhances understanding and evoke curiosity, into the intentions behind art. Drawing inspiration from Charles Fraser's miniature paintings in the Gibbes Museum collection, the contemporary artist, Raheleh Filsoofi extends his legacy beyond its original vision. As an immigrant woman of color residing in the South, her art naturally emphasizes inclusivity, highlighting the hidden diverse tapestry of Charleston. She cultivates curiosity and fosters dialogue, weaving intercultural and historical connections—bridges from past to present.
Upcoming Exhibition
Imagined Boundaries: Through the Eyes of the Past and Present
October 4th, 2024
Upcoming Exhibition
The Moss Mystique: Newcomb Pottery
June 14–September 15, 2024
Established in 1896, Newcomb Pottery at H. Sophie Newcomb Memorial College empowered female art students to apply their skills commercially, garnering acclaim for its Southern identity representation. An exhibition traces the pottery's thematic evolution, while artist Raheleh Filsoofi's multimedia response explores contemporary perceptions of Southern identity and authenticity, bridging past and present interpretations.