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Listening: The Fourth String is project that will introduce an interactive and experiential instrument and platform ShahTár ((شه تار through public performances that re-imagine the silenced existence of the Iranian musician and Sufi, Moshtagh Ali Shah (18 century Iran), and emphasizes his historic contributions to the Iranian music. The project addresses the concept of sound, suggesting the act of listening can power community engagement, promote social change, and foster a better future. The event has been set on March 2nd between 6:00 – 8:00 P.m. and include performances by artists and musicians from Vanderbilt University as well as the local musicians. 

 

The performances and workshops intend to broaden participants’ knowledge and understanding of Middle Eastern music and its ethos. It provides unique educational and performance opportunities for the community. The performance showcases the dynamic aspects of Middle Eastern music, its capacity to integrate with other musical genres, and the potency of its contribution to the soundscape of the United States.

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Guest Musicians
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Program Schedule 

 

Introduction by Dr. Lorenzo F. Candelaria
Dean and Professor of Musicology 

Blair School of Music, Vanderbilt University 

 

1.Call for prayer

Raheleh Filsoofi: Narrator  

Reze Filsoofi: Vocal, Setar

 

2. For Shahtár 

Poem by Rumi

Reza Filsoofi: Vocal and Shahtár

Raheleh Filsoofi: Daf

Isidora Miranda: Violin

 

3. Oh’ my beloved (Inspired by Turkish melody)

Poem by Rumi

Reza Filsoofi: Vocal and Setar

Raheleh Filsoofi: Vocal and Shahtár

Isidora Miranda: Daf and Shahtar

 

Oh, my beloved, oh my beloved 

You are my confidante 

In the day light you are my sun 

In the dark night you are my dawn 

In danger, you are my shield  

You cure me, 

You are my religion, my faith 

You are that ocean full of pearls  

You are my beloved…

 

4. The secret garden

Reza Filsoofi: Shahtár

Michael Hixs: Electronic and Shahtár

 

5. conversation within

Poem by Hafez

Reza Filsoofi: Shahtár and Setar

Michael Hixs: Electronic

Raheleh Filsoofi: Narrator and Shahtár

 

6. Drunk from the eternal divine cup 

Poem by Heyran Ali Shah (Based on Kurdish magham)

Reza Filsoofi: Shahtár and Setar

Michael Hixs: Electronic

Title: Oh Friends, I am Drunk 

I am drunk  

Drunk from the eternal divine cup 

A friend grasped my hands 

And the fire of love burst forth from my skin 

Now, I am emptied of the earthly world 

Now, I am filled only with love.  

7. A journey with Shahtár

Reza Filsoofi: Shahtár

Carlos Duran: Shahtár

Charlie Gilbert: Shahtár

Raheleh Filsoofi: Shahtár

 

8. Renge Osul (Iranian Classical traditional piece)

Reza Filsoofi: Setar

Carlos Duran: Shahtár

Charlie Gilbert: Shahtár

 

9. Daye, Daye… (Folklore melody from Lorestan providence in western Iran)

Reza Filsoofi: Setar

Carlos Duran: Frame Drum

Charlie Gilbert: Dohol

 

The last songs are dedicated to bravery and resilience of the Iranian protestors

 

10. The rice Filed

Reza Filsoofi: Setar

Carlos Duran: Fame drum

Charlie Gilbert: Dohol

Isi: Daf

Raheleh Filsoofi: Dayereh

 

Lullaby, lullaby, Oh rice field, you are our hope  

Lullaby, lullaby, Oh rice field, you are light of God  

 

11. I have hopes

Reza Filsoofi: Setar

Carlos Duran: Frame drum

Charlie Gilbert: Dohol

Isidora Miranda: Daf

Raheleh Filsoofi: Daf

 

I have hopes 

I have hopes 

In the cerulean sky, I have seen a milk-white cloud 

Enchanting, like a wild horse 

With his hand on the mane 

A single rider, restless 

Just like our hero, Kaveh,  

In search of the truth 

A messenger with countless stories to tell, yet so quiet  

That white, wild cloud of our desires billows and swirls 

 

I have hopes… I still have hopes

 

12. Let’s celebrate

Reza Filsoofi: Daf

Carlos Duran: Frame drum

Charlie Gilbert: Dohol

Isidora Miranda: Daf

Raheleh Filsoofi: Daf

 

Rose petals let us scatter 
And fill the cup with red wine 
The firmaments let us shatter 
And come with a new design  

If sorrow's soldiers incite 
To shed lovers' blood tonight 
With beloved I will unite 
And his foundations malign  

Pour the red wine with control 
Like rose-water into the bowl 
While fragrant breeze will roll 

 

Many thanks to the contribution and support of

Dr. Maria M. Campos-Pons, Dr. Lorenzo Candelaria, Selene Wendt, Anaïs (Nisi) Daly, Molly Barth, Simon Tatum, Jerry Phillips Bedor, Lauren Baechel, and Faculty, students, and staff at Blair School of Music

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